Soldiers of Fortune: The Regiment de Kinský, 1688

"Serve I the first, I shall not be repaid;

Serve I the second, I harvest but hate.

Tricked I will be, if I serve still another,

Serve I the fourth, my conscience will bother.

I know the hero whom we'd serve without pay;

The one who permits us to steal our own way"

A tavern song, sung in Bohemian, in "The Harvest Goose", Laarden, 1688*

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Among the various Analogue Hobbies Painting Challenge entries I prepared earlier this year, I been painting a German mercenary regiment for my late seventeenth century project centred around the fictional Free-Flemish City of Laarden.  I wanted a unit of German mercenaries who could easily take to the field on either side - Flemish, or French - and who knows, perhaps be of dubious loyalty to both, or either.

Casting the net to find for mercenary formations in the seventeenth century is not hard. There's a good choice of formations from the Thirty Years War, the Fronde, the Northern Wars and further to the East. 

I came across the name of Count Wilhelm Kinski, a colleague of Albrecht Wallenstein, the great Imperial military enterpriser and general in the Thirty Years War. Kinski - also spelled as Vilém Kinský or Vchynský - was a Bohemian soldier of fortune whose landed property passed to more reliable Hapsburg supporters after Wallenstein's murder in 1634.

I've also come across a reference to a regiment of Kinský serving in France in the Fronde in the 1650s, perhaps some distant relation. So, following a theme, I thought it was not unreasonable to place a regiment of the same name in late seventeenth century Flanders, as Bohemian "children of fortune" following the drum.

These 25mm figures are a real mix.  I used Dixon Miniatures and Wargames Foundry for the soldiers.  The camp followers are from Midlam Miniatures and Colonel Bill's.  The cat and the dog (also following the drum, or the food) are from Warbases, and the barrels of beer and apples are from Hovels.  The basket of bread is from Irregular Miniatures (and has finally found a base after about 30 years in the spares box).

I struggled with finding good standards for German regiments which did not feature an Imperial Hapsburg eagle.  Most of the German regiments in the Northern Wars between Denmark and Sweden seem to have adopted standards similar to one of the Northern belligerents, rather than something more personal to the colonel of the regiment.  

I did come across a couple of standards which featured a pair of duelling knights on horseback, and used that design for the centre-piece of the standards, which I painted myself.  

I tried to go for standards which looked sufficiently 'German', but which could also reasonably pass for use in either a French or Flemish or Imperial army in the period.  I wanted to get the most use on the wargames table for these "children of fortune" - from Laarden to Tuscany, and from the Palatinate to Muscovy, so to speak.

As befits professional soldiers of fortune, I didn't bother with lots of green-stuff lace, feathers and ribbons.  Such affectations are not for true masters of their craft - we can leave that to the French cavalry, or maybe faux-French-fashion-following Flemish cavaliers (#forthcoming, dear readers).  I thought that the beer barrels we possibly more in keeping with the mercenary lifestyle these 'gentlemen' would have enjoyed.

I fluffed up the bases a bit with tufts from WWS Scenics (which are very nice), and some static grass.  I tried to get the 3mm bases (from Warbases) to be as neutral as possible, so went for a burnt umber tone for the edging, instead of black.

And or all the collectors out there, here's the Collectible Character Card for the "Enemies and Allies of Laarden, 1688: The Challenge XI Collection", for Count Kinský and his "children of fortune'.

If you see them in the Grote Markt at Laarden, dear friends, just trust me. Walk the other way...

(*  I should mention that the chilling Bohemian song isn't mine.  The verses are from a Strasburg-published text from 1650, which I took from page 472 of Fritz Redlich's "The German Military Enterpriser and His Workforce" (1964).  Dr. Redlich's famous book has everything you'd ever want to know about sixteenth and seventeenth century mercenaries, and is very much recommended if you can find a copy.)

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The Last Stand of the Regiment de Louvigny, Flanders 1688

 

"Sound trumpets!  Let our Bloody colours wave!

And either victory, or else a grave!"

Henry VI, Part 3 (Act 2, scene 2)

Just about the final submission I painted for the eleventh Analogue Hobbies Painting Challenge was a large single base featuring casualties and a dramatic last stand of the French Regiment de Louvigny from 1688.

I'd had this collection of figures on a single base in mind for a while.  You might remember that a few years back I did some 'flight' bases.  These were single stands of units in various stages of complete rout or terminal breakdown.  They were quite addictive to covert and paint.  Here's a section...

The idea behind these bases was to clearly reflect, on the wargames tabletop, the changed condition of battlefield units.  Instead of viable formations, a player would be faced with terminally damaged units. Or, as Sir James Turner, a veteran of the Thirty Years War would put it - "shipwracked" battalions.  

In the Thirty Years War rules I used for 2mm games a few years back, withdrawing terminally damaged units from the Field was important, as victory points were available to an opponent who could shatter such tempting targets.  

But with the last stand of Regiment de Louvigny, I wanted to take a different snapshot in time.  Here, I was trying to capture a stage between a viable regiment, and a shattered collection of soldiers.  I wanted to recreate the state of order being lost, but where the battalion is still fighting - a last stand, in essence.

I felt I only needed a single base.  The order would be lost, with the drill-book delineation of pike and shot broken down.  Men would be dead and wounded, but the colours would still be flaunting the sky.  Officers would still be leading.  Drums would still be heard above the chaos of battle.  The battalion would still have claws and teeth, although no one would know for how much longer.

What I had in mind was a single centrepiece for a large skirmish in which the "shipwrack" of a French battalion could (possibly) be rescued from Flemish, Imperial or Spanish enemy forces by a relieving friendly French brigade.  It would suit an evening's narrative wargaming, or perhaps be a smaller table in a day's gaming.

The small "slots" for two micro-dice are there to record casualties and cohesion.  As the regiment in its battered state is not really functioning as a working formation, there's no need to identify the pike and shot separately in any normal basing formation.  All that is now important is the remaining cohesion of the battalion as an entity - hence the dice marking that.  As the casualties, shock and chaos mount, so the dice can tick up, or down, depending on how you like to show such things.

So, rather than just a 'casualty base', I could use the Last Stand as a half-way house between functioning battalion and a mere marker for routed troops.  For that reason, it's about twice as large as the 'flight' bases in the photos at the start of this Blog post.

After deciding on the type of base I wanted, it was really just a case of deciding which figures I wanted.  I chose a blend of of pike and shot, officers and soldiers, a drummer, and a blend of dead, wounded and still-healthy troops.  

In retrospect, I should have done better in painting the standard, which looks a little too pristine for any 'last stand'.  And maybe the casualties could have been a bit more numerous.  But I didn't have long to prepare the stand at the end of Challenge XI and I'm hopeful it can pass muster on most tabletops.  

The perfect is, of course dear friends, the enemy of the tabletop-standard.

The Regiment de Louvingy is for my late seventeenth century 1688 Flanders collection, so I tried to make the figures fit with the other units and formations by adding green-stuff feathers, lace, ribbons and swapping the Officer's right arm from carrying a standard to more nobly raising his sword towards the Flemish and Spanish Enemies-of-his-Blood.  

I took the uniform of the Regiment de Louvigny from Mark Allen's fine book "Armies & Enemies of Louis XIV: Volume 1 - Western Europe 1688-1714" (published by Helion).  The real Regiment de Louvigny is a rather forgotten, anonymous regiment - so I felt it was time to bring its soldiers back to the grand stage of European warfare on the wargames table.

The figures are a mix of Dixon Miniatures and Wargames Foundry, with a Colonel Bill's casualty figure added at the front.  The splendid, and very versatile, gabions are from Frontline Wargaming.  The base is  a terrain base from Warbases, who also made the micro-dice slots.  The tufts are from WSS Scenics.

No one makes the standard for the Regiment de Louvigny - so I painted it myself.  And yes, from the angle below, it really still does look too pristine !

And because this is a submission featuring the ludicrousness of my fictional campaign for the Flemish Free-City of Laarden, in 1688, here's the Challenge XI Collectible Card for the "Last Stand of the Regiment de Louvigny" - another in my 2021 collection of the "Enemies and Adversaries of Laarden, 1688".  

I hope you enjoyed this post from Challenge XI.  There's more to come in this vein, but next time up, I'll have my crystal ball and scoresheet out, as we take a look at the "Portents of Laarden".  

Hope you can join me for that, dear readers!

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Le Roi Soleil, Master of the World - Versailles, 1688

 

"He's coming...Yes, of course it's him. Why? Well, everything about him is glittering and golden, so that's a good guess. And, well... he's handsome. And tall. Apollo-esque maybe. No, no... I'm not having second thoughts. Pass the the poison, quickly. Don't drop it! Oh, for the blood of Sint Jacobus.... how on earth did you get recommended to me as an apprentice assassin? Quick, quick - flutter your fan in front of my hands while you pass the poison over. QUICK... Oh...OH! Your Majesty....what a surprise to see you here. We were just taking a stroll in your gardens. Monsieur Le Notre was kind enough to invite us. But you've quite trapped us here, almost as if you had intended it...."

Louise de Gisoreux, Founder of Le Lapin d'Or, and would-be assassin, 1688

Way back in late December 2020 and over the New Year, I prepared this vignette for the 11th Analogue Hobbies Painting Challenge.  In some ways it bookends the other vignette I made last year featuring the Dauphin of France, although this one is perhaps a bit spikier, I hope!

In this vignette, we are a long way from the smoke-shrouded, war-torn battlefields of Flanders.  Instead, cast yourself into the royal gardens of the Palace of Versailles, in 1688.

One of the things which comes from reading about the courtly intrigues of Versailles, and the politics of Louis XIV's court, is the sheer sense of unease and danger experienced by its residents. Who was in favour, who was living on borrowed time (exile to Brittany being a terrible thing in 1688), and who was currently in the King's eye. A perfect place for traps and snares of all kinds (which was the theme of the relevant "Chamber" in the Painting Challenge).

So here we have a small cabal of would-be assassins, perhaps Flemish sympathisers or unusual allies for the beleaguered Spanish, plotting to ensnare Louis Le Grand in his own courtly gardens.

The scene is all set, as Louis' roving eye catches the sumptuous fabric of Louise de Gisoreux's dress. A tempting target for the infamous Royal Passion, no doubt. Unknown to the French King, however, the brave Louise de Gisoreux is the founder of the secret society of "Le Lapin d'Or", a league of wealthy nobles who despise the King (and wish to replace him with his easy-going brother, or the Man in the Iron Mask, or... well, almost anyone, really).

It's a scene which is almost foretold by the avaricious King's love of classical mythology; the statue on the plinth depicts the young, amorous Apollo being spurned by the river nymph, Daphne. 

Murder is clearly being planned among the slowly-turning, autumn leaves.

But wait ... just who has snared who in this strange, stately, baroque masque?

Behind the plinth, slyly creeping out of sight, the wily French fox has trapped a golden rabbit in its jaws, and is carrying away it's prize. What treacherous traps and snares does Louis, the Sun King himself, have in store for our brave heroine and her small cabal of (slightly hapless) co-conspirators...?

I've always loved those strange, baroque paintings in art galleries.  You know the sort - huge canvases, filled with things happening.  Almost like a code, or a message.  I'm not sure what my message is here - other than I'm slightly deranged!

And, talking of being deranged, I could not resist the temptation to prepare a couple of more of my ludicrous 'character cards' for this vignette - one for each of the competing traps and snares, French or Flemish (depending on whether you like the good guys, or the very bad guy).

For the figures, they're rather a disparate mixture.

Louis and Louise are from Wargames Foundry, Louise's accomplice is from Redoubt, while the Turkish servant is from Old Glory's Pirates range. The two classical characters on the plinth are a little smaller than 28mm and were really only dry-brushed bronze - 'Apollo' is a lovely Wargames Foundry cherub, and 'Daphne' being a diminutive, beautiful but (these days) politically incorrect Daemonette or Succubus from Games Workshop's range of Chaos Familiars.

I did some conversion work on Louise de Gisoreux - some extra lace and a silken bow on the back of her dress. The bottles and goblets littering the base of the plinth were from Scotia Grendell. The plinth was scratch-built by me, but the base is from Warbases, as is the fox and unlucky rabbit.

I added some autumn leaves to the base of the vignette.  Maybe there is also some foreshadowing there, dear readers.  There were similar softly turning leaves on the base of the Dauphin's vignette as well.  What does that foretell of the portents for the French campaign against the Flemish Free City of Laarden?  Or, do they foretell a most distant doom for the House of Bourbon?  Or, is it just October?

And here's the growing collection of cards for 2021 (and late 2020), focusing on the "Enemies and Adversaries of Laarden, 1688" (as promised, Andy, in an earlier comments thread).  This suite of "Enemies" is marked by a French fleur-de-lis in the top corner, partly to keep track of them!  

Stay tuned, dear readers, to collect the whole set of thirteen!!

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